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The album is the explanation, and it's up to you to make sure what you want of it. You can't really use words about music, otherwise we'd do a talking album. The only way you can explain it is to hear it. In the end, though, I tend to agree with Paul on this - the only real way to form your own opinion is to hear the album for yourself. We spent hours doing it, but I still don't see it like us. It all fits together, but it's a bit like it's something else. Well, maybe it is, but it still feels very abstract to me. People have said, 'It's great! It's a bit more like Revolver. When I did Pepper and the White Album I got an overall image of the album, but whereas with this one, I'm kind of lost. "Maybe when I get the album finished and in the sleeve, then I'll get some sort of expression of it. It was together in that way, but Abbey Road had no life in it." It was a competent album, like Rubber Soul. "Come Together" is all right, that's all I remember. I think it's junk because it was just bits of songs thrown together. "I liked the "A" side but I never liked that sort of pop opera on the other side.
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I like the boys playing together, you know. If I had Desert Island Discs, I'd take the White one or Abbey Road, I think. "The second side of Abbey Road is incredible! The White Album, ninety-nine percent of it is very good. It would be the last time the group recorded together, and fittingly, ends with the 16-minute medley track “The End.” In true late Beatles fashion, the group was split on their opinions of the record.
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The songwriting prowess of each member was on full display on Abbey Road, from Harrison’s “Something” (called the greatest love song of the last 50 years by Frank Sinatra) to Lennon’s “I Want You (She’s So Heavy)”, the writing and engineering skills of the Beatles and long-time collaborator George Martin stand above the tension in the group. It really was very happy, very pleasant, and it went frightfully well." Would you come and produce it like you used to? I said, 'Well, I'll produce it like I used to if you'll let me.' So Paul rounded up John, George and Ringo and we started work on Abbey Road. Let's try to make a record like we used to. So I was quite surprised when Paul rang up and said, 'Look, you know, what happened to Let It Be is silly. Within the year the band would go their separate ways, yet among all this strife, Abbey Road showed the immense talent and musicianship that defined their careers and a generation of artists that followed.Īfter Let It Be (Get Back), I really thought we were finished. It's a record that sends my spirits up, and really when I listen to music, really that's what I want.Īfter the recording sessions for Let it Be, which John Lennon called “hell.the most miserable sessions on Earth.”, and was The Beatles “all-time low” according to George Harrison, things didn’t seem to be going well for the Beatles. It's got California through its blood, even though they are boys from New York. You wouldn't think it was recorded anywhere else in the world. even though, it is a classic LA kinda sound. and it's the most consistent up-full, heart-warming. Well, Aja's got a sound that lifts your heart up. We’ll leave you with the words of British musician Ian Dury: In 2010, the Library of Congress added Aja to the United States National Recording Registry for its artistic, historic and cultural significance. Often cited by audiophiles as an excellent test album due to its high recording standards, Aja has stood the test of time. Their obsession in the studio is legendary - as shown this clip showing the making of the track “Peg”, and the 19 guitarists they brought in to play different versions of the solo: In my own way, I’m just as crazy as they are.”įor their fourth studio album, Becker and Fagen enlisted the help of over 40 musicians, including luminaries like Wayne Shorter and Larry Carlton (as well as Dan standbys Michael McDonald and Chuck Rainey) to help them get the perfect sound. “It wasn't a drag for me to do things over and over until it was perfect.” He added: “It would have driven a lot of other engineers up the wall. After 3 successful studio albums blending jazz, rock, funk, and everything in-between, they entered the studio to create Aja. After moving to Los Angeles they become songwriters for ABC Records’ Gary Katz, who with Roger Nichols would go on to engineer their albums and earn 6 Grammy awards in the process. Walter Becker and Donald Fagen met when Fagen overheard Becker practicing his guitar, and they soon formed a band (sometimes featuring comedian Chevy Chase on drums!). Steely Dan have earned their reputation as studio perfectionists, and Aja might just be their finest (and is certainly their best-selling) work.